![]() ![]() ![]() One of the film’s gold diggers (unfortunately, she missed being in that film by a few months) is almost caught by her fiance reading from a magazine called “Naughty Stories”.A police officer, popping in on a rehearsal: “Seeing all these girls gives me a lot of ideas.”.James Cagney, quickly switching topics from the theater to women: “Never mind the outline… I think I got a new one!”.Blondell accidentally puts her stockings on the wrong legs at one point.On a director learning how to mimic a cat’s movements: “I’ve done everything but sleep with him!” Cagney’s response: “Then sleep with him!”.During a rather cutesy number about cats dancing and singing under the moon, he protests the subsequent arrival of their offspring: “We can’t have kittens in 39 cities!” He also turns out to be a mewling idiot who’s also a hypocrite: “I’m showing Miss Rich what you can’t do in Kalamazoo!” The film has Hugh Herbert as the theatrical production company’s censor, and the movie takes great glee in mocking his inanity.Joan Blondell to a romantic rival: “I know Miss Bit– I mean, Miss Rich.”.It’s a musical! There’s singing, dancing, and legs, legs, LEGS!.Most recently, Pixar used the concept of spectacle and kaleidoscopic dance patterns to shock and awe audiences in Happy Feet (2006), an animated musical about a tap dancing penguin. For instance, the end scene of The Three Caballeros (1944), set to the tune “You Belong to My Heart” features live-action footage of chorus-line dancers displayed in several kaleidoscopic positions.Īn example of Berkeley's influence on Beauty and the Beastīerkeley’s influence can also be seen with the dancing animals during Simba’s “I Just Can’t Wait to be King” sequence in The Lion King(1994) and with the dancing dinnerware in the “Be Our Guest” sequence of Beauty and the Beast (1991).Īn example of Berkeley's influence on Disney's The Lion King Many popular animated films, particularly those from Walt Disney’s production studios allude to Berkeley’s dance sequences in their own animated choreography. In all of these films, Berkeley used hundreds of dancers to create awe-inspiring, geometric spectacles.Īnother example of Berkeley's work Influence on Animation Some of his most famous works include 42nd Street (1933), Gold Diggers of 1933 (1933), and Footlight Parade (1933). The result was so visually stunning that Berkeley was given a seven year contract, and would continue to contribute musical numbers to almost all of the major productions coming out of Warner Brothers during the 1930s. Unsatisfied with the protocol wherein choreographers created dance sequences, but had little control over camera placement and editing choices, Berkeley convinced film producer Samuel Goldwyn to allow him to try his hand at directing. īerkeley was known for his single-camera takes, which he developed during his first stint as a director. Born in Los Angeles, California as William Berkeley Enos, he served in World War I as a director of parade drills most credit his involvement with the military for the patterns that would categorize his later work. Best known for his kaleidoscopic dance sequences, Busby Berkeley (1895-1976) was a highly-influential director and choreographer of movie musicals. ![]()
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